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The word “monumental” is often used to describe Stan Bitters’ ceramic sculptures. But even at a small scale, this legendary American artist’s expression has a rare boldness. He’s been making these ceramic birdhouses since the 1960s when he was artist-in-residence and the Hans Sumpf company. These ceramic birdhouses have a round opening on opposite sides…
The word “monumental” is often used to describe Stan Bitters’ ceramic sculptures. But even at a small scale, this legendary American artist’s expression has a rare boldness. He’s been making these ceramic birdhouses since the 1960s when he was artist-in-residence and the Hans Sumpf company. These ceramic birdhouses have a round opening on opposite sides…
The word “monumental” is often used to describe Stan Bitters’ ceramic sculptures. But even at a small scale, this legendary American artist’s expression has a rare boldness. He’s been making these ceramic birdhouses since the 1960s when he was artist-in-residence and the Hans Sumpf company. These ceramic birdhouses have a round opening on opposite sides…
The word “monumental” is often used to describe Stan Bitters’ ceramic sculptures. But even at a small scale, this legendary American artist’s expression has a rare boldness. He’s been making these ceramic birdhouses since the 1960s when he was artist-in-residence and the Hans Sumpf company. These ceramic birdhouses have a round opening on opposite sides…
The word “monumental” is often used to describe Stan Bitters’ ceramic sculptures. But even at a small scale, this legendary American artist’s expression has a rare boldness. He’s been making these ceramic birdhouses since the 1960s when he was artist-in-residence and the Hans Sumpf company. These ceramic birdhouses have a round opening on opposite sides…
This piece is cast in solid bronze by Nancy Pearce in her studio in Los Angeles, California. In Pearce’s words “I seek to create an archive of everyday objects by casting them in durable solid bronze so that future archaeologists will have a few pieces of the puzzle to decode from my limited time on…
The poster for Design SeriesEight captures the feeling of the collection. Like the pieces themselves, inside each monochrome vessel is the potential for sonic color and emotion.
The color of the paper—which is achieved with actual terracotta clay—is a take on the terracotta glaze explored in the ceramic collection. The stylized 9 takes inspiration from the organic forms of leaves and stems and is screen printed in a light green ink as a tribute to this year’s collection.
These pieces are cast in solid bronze by Nancy Pearce in her studio in Los Angeles, California. In Pearce’s words “I seek to create an archive of everyday objects by casting them in durable solid bronze so that future archaeologists will have a few pieces of the puzzle to decode from my limited time on…
This piece is cast in solid bronze by Nancy Pearce in her studio in Los Angeles. In Pearce’s words “I seek to create an archive of everyday objects by casting them in durable solid bronze so that future archaeologists will have a few pieces of the puzzle to decode from my limited time on earth…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
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